Resultado de búsqueda
Marius Petipa. Son of Antoine Petipa, dancer, choreographer and teacher, both Marius and his elder brother, Lucien, were brought up to follow the same profession. Thus, Marius Petipa, though not enthused by the art form, began his dance studies at age 7, at the same time he received a general education from the Grand College in Brussels.
Marius Petipa born: 1818 died: 1910. The son of Jean Petipa, an excellent ballet dancer and teacher himself, Marius Petipa was the second of the two boys that made up this dancing family. Petipa's older brother by three years, Lucien, ended up as a dancer and ballet master at the Paris Opera. Marius Petipa was born in 1818 in Marseille, France.
Marius Petipa (1890). Marius Ivanovitš Petipa (ven. Мариус Иванович Петипа, oikealta nimeltään Victor Marius Alphonse Petipa); (11. maaliskuuta 1818 Marseille Ranska – 14. heinäkuuta (J: 1. heinäkuuta) 1910 Gurzuf, Krim, Venäjän keisarikunta) oli tanssija, koreografi ja opettaja, joka nosti venäläisen baletin kukoistukseensa 1800-luvulla.
Marius Petipa (1818-1910), son of the French ballet master Jean Petipa, made his debut as dancer in 1828, in a version of Pierre Gardel’s Le Dansomanie staged by his father. In 1847, he was engaged as a dancer with the Imperial Theatres in St Petersburg. Seven years later, he became a teacher at the Imperial Ballet School in the same city.
6 de oct. de 2023 · Marius Petipa (1818-1910), chorégraphe français, père du ballet russe. Portrait de Marius Petipa en 1899 ©Getty - Fine Art Images/Heritage Images/Getty Images. Chorégraphe français exilé en 1847 à Saint Pétersbourg, Marius Petipa intègre comme danseur le Ballet impérial. Il est le chorégraphe de célèbres ballets comme "La ...
La Bayadère. Grand ballet in four acts and seven scenes with an apotheosis. Music by Ludwig Minkus. Libretto by Marius Petipa and Sergei Khudekov. 1877 décor by Mikhail Bocharov (Act 1, scene 1), Matvei Shishkov (Act 1, scene 2 and Act 2), Ivan Andreyev (Act 3, scenes 1 and 3), Heinrich Wagner (Act 3, scene 2) and Andrei Roller (Act 4 and ...
Petipa staged his first revival of Giselle in 1884 for the Prima Ballerina Maria Gorshenkova. For this revival, Ludwig Minkus composed a new pas de deux that Petipa added to the first act for Gorshenkova.This pas de deux did not find a permanent home in the ballet, but the music has survived and it resurfaces now and then when used in ballet galas.. Petipa also further elaborated the touches ...
