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  1. 26 de ago. de 2014 · Lost In Alphaville starts in 2012, on a back porch in Nashville, home to Patrick Carney (of The Black Keys), where Sharp stared out into the swelter of a dark Southern summer night after a day of ...

  2. For Lost in Alphaville, Rentals frontman Matt Sharp was joined by previous Rentals collaborator Lauren Chipman on viola, violin, and piano; vocalists Jess Wolfe and Holly Laessig (of the band Lucius); Ryen Slegr (of Ozma) on guitar; and Patrick Carney (of the Black Keys) on drums. Track listing. All songs written and composed by Matt Sharp.

  3. 4 de jun. de 2015 · Following several self-released EPs in the late '00s, The Rentals made their proper return in 2014 with their third studio album Lost in Alphaville. The record was a hit with longtime fans of both The Rentals and Weezer, setting the stage for extensive touring and marking the beginning of a triumphant new chapter for the band.

  4. 26 de ago. de 2014 · Metacritic Music Reviews, Lost in Alphaville by The Rentals, The rock band led by former Weezer bassist Matt Sharp returns with contributions from Patrick Carney of The Black Keys, Holly Laessig, Lucius, Ryen...

  5. 15 de jun. de 2014 · 15 Years after their last album the rentals return with a decent project. It was pretty good at the beginning but in the second half they really lost me but then brought me back with the last song. This album has a good start and a good finish with a bit of filler in between. Not terrible but disappointing after 15 years.

  6. Title: Lost in AlphavilleLabel: Polyvinyl RecordsProduct Type: VINYL LPThe album features: Jessica Wolfe and Holly Laessig (Lucius - vocals), Ryen Slegr (Ozma - guitars), Lauren Chipman (The Section Quartet - strings) and Patrick Carney (The Black Keys - drums). Mixed by D. Sardy (Jay-Z, LCD Soundsystem). Previous two

  7. 6 de ago. de 2014 · Now, a spoiler for a film from 1965: the denizens of Alphaville have lost their identity in a computer controlled society. Their sense of self, as in any dystopia, is but a memory. Maybe the album title hints towards finding yourself in this age when we worship technology (and gadgets) more than other things that matter.