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  1. 2 de jul. de 2014 · Richard Lester had made that 11-minute short, which consisted of Milligan and a few friends running, jumping, and standing still on Muswell Hill in North London, recorded on Sellers’s newly ...

  2. Richard Lester (født 19. januar 1932) er en amerikansk-født filminstruktør med base i Storbritannien. Liv. Lester blev født i Philadelphia, Pennsylvania. Han var interesseret i britisk film, især Ealing Studios-komedier, og flyttede til London i 1953. Han var instruktør på flere tv-programmer.

  3. During the middle years of the 1960s, director Richard Lester captured the spirit of his times with an energy and vitality unmatched by any of his contemporaries; a peerless and highly sophisticated visual humorist, his films -- particularly those in conjunction with the Beatles -- brilliantly tapped the essence of the fledgling youth movement, and remain definitive portraits of their era.

  4. Data i miejsce urodzenia. 19 stycznia 1932. Filadelfia. Zawód. reżyser, producent filmowy. Lata aktywności. 1960-1991. Multimedia w Wikimedia Commons. Richard Lester (ur. 19 stycznia 1932 w Filadelfii) – brytyjski reżyser i producent filmowy pochodzenia amerykańskiego, znany ze współpracy z zespołem The Beatles .

  5. A Hard Day's Night: Directed by Richard Lester. With The Beatles, John Lennon, Paul McCartney, George Harrison. Over two "typical" days in the life of The Beatles, the boys struggle to keep themselves and Sir Paul McCartney's mischievous grandfather in check while preparing for a live TV performance.

  6. Richard Lester es un director y personaje nacido en el año 1932 en Estados Unidos conocido por Superman II. La aventura continúa, Superman III, Robin y Marian, ¡Qué noche la de aquel día!, Golfus de Roma, ¡Socorro!, Los tres mosqueteros: Los diamantes de la reina, Los cuatro mosqueteros, El knack... y cómo conseguirlo y El enigma se llama Juggernaut

  7. By Roger Ebert / December 10, 1976. If "Monty Python's Flying Circus" had never existed, Richard Lester would still have invented it. In 1970 he directed "The Bed-Sitting Room," a film which so uncannily predicts the style and manner of Python that we think for a moment we're watching television.