Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 19 de dic. de 2014 · sigue siendo, a día de hoy, la gran película metacinematográfica de la historia. Narra la crisis creativa de Guido Anselmo, un cineasta bloqueado, alter ego del propio Fellini, que se refugia en un balneario para reflexionar. Allí, Guido-Fellini intenta trabajar en su nueva película, que trata precisamente sobre un cineasta en crisis.

  2. 11 de ene. de 2006 · Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellinis 8 (Otto e mezzo) turns one mans artistic crisis into a grand epic of the cinema.

  3. tv.apple.com › us › movie - Apple TV

    One of the greatest films about film ever made, Federico Fellini’s (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act. Drama 1963 2 hr 18 min. 97%.

  4. 14 de abr. de 2018 · Asa, Nisi, Masa: , de Federico Fellini. 8 ½ es una carta de amor al cine. Pero también la prueba documental de un amor correspondido. Porque no es sólo que Fellini no pudiera vivir sin el cine, es que el cine no podía vivir sin Fellini. deviene así una historia de amor. No hay final.

  5. - Opt și jumătate. Distributie Claudia Cardinale, Marcello Mastroianni. Regizat de Federico Fellini. Sinoposis : "Realitate, amintiri, fantasme si creatie cinematografica la rascruce de drumuri. Un film fabulos, vartej de imagini de neuitat

  6. www.metacritic.com › movie › -1963 - Metacritic

    works best as a self-deprecating comedy, a fact revealed most forcefully in the folly of film production on display. Read More By Joseph Jon Lanthier FULL REVIEW. See All 23 Critic Reviews 8. AJ_13 Sep 12, 2022 THE GOOD: Marcello Mastroianni delivers a titanic performance. Through unreal ...

  7. 17 de nov. de 2023 · Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes ...