Resultado de búsqueda
1 de dic. de 2016 · Robert Rauschenberg is at Tate Modern, 30 November 2016 – 9 April 2017. Each chapter of Rauschenberg’s six-decade career will be represented by major works including loans that rarely travel. ... ‘Six sensational decades of work finally reveal the man in full ...
Find out how to watch Robert Rauschenberg: Man at Work. Stream Robert Rauschenberg: Man at Work, watch trailers, see the cast, and more at TV Guide
31 de may. de 2008 · Robert Rauschenberg died on 12 May aged 82 at his home in Captiva Island, Florida, from heart failure. Born in 1925 in Port Arthur, Texas, he served in the Navy during World War II before deciding ...
Early Works, 1948-54. Beginning in 1948, Rauschenberg attended Black Mountain College near Asheville, North Carolina. His work at Black Mountain reveals many of the principal themes that recur throughout his oeuvre: sequences and progressions through time, grid formats, doubling and mirroring, and a sense of the human scale.
Works on paper and photography comprise some of Rauschenberg’s most significant early works: the series of collages made on Italian shirtboards (ca. 1952); photographs taken in Europe and North Africa during his travels with artist Cy Twomby in 1952–53; and various types of monoprints, including the blueprints he made with his wife at the time, Susan Weil (ca. 1950), and the Automobile ...
From sculptures to paintings, over the last six decades, Robert Rauschenberg has left his mark on art history. The American artist studied at several art schools, which in turn shaped his unique creative style. Staying true to the trend of pop art during the 1950s and 60s, a lot of his work was inspired by popular culture. Rauschenberg’s style of work evolved significantly over time.
IT IS AN UNFORGETTABLE PORTRAIT of the artist as a young man: A tousle-haired Robert Rauschenberg, in rolled-up shirtsleeves and paint-spattered jeans, stands barefoot amid a body of work, selections from a group of blueprints—primitive photograms—that he and Susan Weil, then his wife, produced collaboratively from about 1949 to 1951.
