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The World, the Flesh and the Devil (1959) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows.
21 de sept. de 2023 · In The World, the Flesh and the Devil (Ranald MacDougall, 1959, 95 min), on-location film production in post-war New York meets mid-century apocalyptic science fiction. Shot on location throughout the city, and featuring empty streets that recall recent pandemic scenes, the film confronts racism in a direct way that is rare for a Cold War era sci-fi film at the time.
About. The World, The Flesh and the Devil (1959) SCI-FI. "Millions Flee from Cities! End of the World!" From a Manhattan skyscraper, Ralph Burton (Harry Belafonte) surveys the emptiness announced by that chilling newspaper headline. Nuclear doomsday has come.
The World, the Flesh and the Devil is a 1914 British silent drama film. Now considered a lost film, [citation needed] it was made using the additive color Kinemacolor process. The title comes from the Litany in the 1662 Book of Common Prayer: "From all the deceits of the world, the flesh, and the devil, spare us, good Lord."
The World, the Flesh and the Devil ( España) Die Welt, das Fleisch und der Teufel ( Alemania Occidental) Die Welt, das Fleisch und der Teufel ( Austria) más títulos (11) Dirigida por Ranald MacDougall en 1959. Con Harry Belafonte, Inger Stevens, Mel Ferrer.
The World, the Flesh and the Devil. When Ralph marks his route to New York City on the map, he starts at a point in the center of Pennsylvania. There is no real town of Chatsburg in PA, but there is a town near his starting point called "Bellefonte" (the character Ralph Burton in the movie is played by Harry Belafonte ). To film the striking ...
The World, the Flesh and the Devil is one of three science fiction films Miklós Rózsa scored in his long career, the others being The Power (1968) and Time After Time (1979). Rózsa's grandiose music provides an epic backdrop for the end of all civilization, but also a human dimension for the characters and their struggles to maintain their sanity.
