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30 de mar. de 1992 · Musa McKim Guston, née McKim (August 23, 1908 – March 30, 1992), was a painter and poet.Born in Oil City, Pennsylvania, McKim spent much of her youth in Panama. During the Great Depression, she worked under the Section of Fine Arts, painting murals in public buildings, including a Post Office building in Waverly, New York.
10 de jul. de 2020 · A simplified assortment of visual images, not unlike the sparse and provacotive language used by Raymond Carver and Musa McKim. Robert Moskowitz. “Untitled (Empire State)”. 1980. Graphite and pastel on paper. 106” x 31 1/4”. Collection: Mr. and Mrs. Robert K. Hoffman, Dallas, Texas.
Musa McKim (Q18927093) From Wikidata. Jump to navigation Jump to search. American poet (1908-1992) Musa Jane McKim Guston; edit. Language Label Description Also known as; English: Musa McKim. American poet (1908-1992) Musa Jane McKim Guston; Statements. instance of. human. 0 references. sex or gender. female.
2. He started his career painting murals. Philip Guston, Reuben Kadish and Jules Langsner in front of their fresco The Struggle Against Terrorism, 1935, in Morelia, Mexico. Image courtesy of The Guston Foundation. Growing up, Philip Guston loved drawing and comic books. He taught himself to sketch and published his first cartoon when he was ...
En 1937 se casó con el artista y poeta Musa McKim, a quien conoció en Otis, y colaboraron en varios murales de WPA. También en esta década conoció al pintor metafísico italiano Giorgio de Chirico, que sería una influencia poderosa y duradera.
In 1930, he met Musa McKim, whom he would marry in 1937. In 1935, Guston worked alongside friends Reuben Kadish and Jules Langsner to paint the massive mural The Struggle Against Terrorism on the walls of a former palace in Morelia, Mexico—a commission that the famed Mexican muralist David Alfaro Siqueiros helped them to secure.
The prospect of her birth apparently filled him with dread; when his pregnant wife returned home from a shopping trip one day with a batch of new baby clothes, he hurled them into a closet in a fit of disgust. “He didn’t want children,” Musa McKim Guston, the artist’s wife, bluntly tells her only child. “His work, well—you know.
