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  1. 7 de oct. de 2015 · For Athina Rachel Tsangari, making movies is mostly a matter of camaraderie. She simply, “found herself making movies” out of a sense of necessity and pleasure—what she calls a love affair between work and life. Tsangari’s talents span theater design (projecting images), as well as directing, writing, and producing films.

  2. Chevalier is a 2015 Greek comedy film directed by Athina Rachel Tsangari and co-written by Tsangari and Efthymis Filippou.It was screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival. It was selected as the Greek entry for the Best Foreign Language Film at the 89th Academy Awards but it was not nominated.

  3. Chevalier es una película dirigida por Athina Rachel Tsangari con Yannis Drakopoulos, Kostas Filippoglou, Yiorgos Kendros, Panos Koronis .... Año: 2015. Título original: Chevalier. Sinopsis: En medio del mar Egeo, seis hombres se encuentran en pleno viaje de pesca, en un lujoso yate, para jugar a un juego. Durante este juego serán comparadas varias cosas, que serán medidas.

  4. 1 de sept. de 2011 · Athina Rachel Tsangari’s film is a beautifully observed, often playful, study of one woman’s alienation; Marina, awkward, naïve, contemptuous, slowly learns that she needs more than just her father and Bella. It’s a refreshing and unsentimental film about sex, relationships and death.

  5. Athina Rachel Tsangari, Geceyarısından Önce, Köpek Dişi ve Attenberg yapımları ile tanınan Yapımcı, Yönetmen ve Senarist.

  6. 16 de ene. de 2016 · He has also worked with the Greek directors Babis Makridis ("Pity") and Athina Rachel Tsangari ("Chevalier"). Filippou has written many plays "Bloods" (2014), "Excuse 4&5" (2016), "Rob" (2017) and "George" (2020). Efthymis Filippou was born January 18, 1977 in Acharnes, Athens, Greece.

  7. Athina Rachel Tsangari: We started Cinematexas in Austin when we were students. We wanted to create a showcase for avant-garde work, because apart from the Austin Film Society, which Richard Linklater had just started, there was no exposure for that kind of cinema. We showed 30 films in the first year, but by the last year it was a 400-film ...