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4 de may. de 2024 · Get the Oingo Boingo Former Members Setlist of the concert at The Canyon, Agoura Hills, CA, USA on May 4, 2024 and other Oingo Boingo Former Members Setlists for free on setlist.fm!
5 de may. de 2024 · The lyrics of “We Close Our Eyes” by Oingo Boingo reflect the transient nature of existence and the need to embrace every moment. The chorus repeatedly highlights the act of closing our eyes, which symbolizes shutting out distractions and focusing on what truly matters. By closing our eyes, we can dream and create a world of our own.
6 de may. de 2024 · It’s a call to action, urging listeners to question the laws and systems that may be oppressive or unjust. “No Spill Blood (Live)” serves as a reminder to stay vigilant and advocate for change, even when faced with the fear of retribution or societal backlash. It’s a song that empowers individuals to challenge authority and fight for a ...
4 de may. de 2024 · Ultimately, the meaning behind “Don’t Go In The Basement” by Oingo Boingo can be interpreted in various ways, depending on personal experiences and perspectives. It serves as a timeless reminder to tread carefully and be mindful of the risks we take, both externally and internally. So, the next time you find yourself tempted to explore ...
7 de may. de 2024 · Chords: C, G, F, Am. Chords for OINGO BOINGO - we close our eyes. Chordify gives you the chords for any song
Hace 6 días · The song “Insects” by Oingo Boingo, released in 1981 as part of their debut album “Only a Lad,” has become a quirky cult hit known for its infectious groove and bizarrely humorous lyrics. Written and composed by frontman Danny Elfman, the song exhibits the unique musical style that Oingo Boingo was known for, blending elements of new wave, ska, and rock.
11 de may. de 2024 · What strikes me most about the lyrics is how Oingo Boingo highlights the disconnect between many critics and the artists they judge. The line, “You like to think you speak for them all,” resonates with me as I’ve witnessed critics impose their opinions on others, failing to acknowledge the individuality and personal connection people have with music.
