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21 de may. de 2024 · You are forgetting that if you select a higher ISO you are underexposing the sensor so there is no loss in highlight information recording ProRes compared to recording raw and Continue Reading →
12 de may. de 2024 · This is only valid when shooting raw, not when shooting a compressed codec. You can do that, it will distribute more of the overall dynamic range to the highlights. Personally Continue Reading →
20 de may. de 2024 · With raw it's just metadata. But when shooting to a codec, and raising ISO, you are now baking (the camera's) gain into the file, which pushes the highlights closer to Continue Reading →
11 de may. de 2024 · I seem to remember we used the pan to emphasize the passage of time or simply make a softer cut between scenes. Who's idea? Probably one each. We discussed the Continue Reading →
8 de may. de 2024 · La fecha de estreno en España de 'Star Wars: The Acolyte' será el 5 de junio en Disney+. Ese mismo día podremos disfrutar de los dos primeros capítulos de los 8 que formarán la primera ...
24 de may. de 2024 · Happy Birthday, Sir Roger!!!!! Roger A. Deakins. CBE, ASC, BSC
23 de may. de 2024 · Interesting, shotdeck shows the same still for this movie. Wonder what the quality control when scanning is, though I would have thought it being run by Lawrence Sher, ASC should Continue Reading →
