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Robert Rauschenberg. Robert Rauschenberg ( Port Arthur, Texas; 22 de octubre de 1925-Captiva Island, Condado de Lee (Florida); 12 de mayo de 2008) 1 fue un pintor y artista estadounidense, que alcanzó notoriedad en 1950 durante la transición del expresionismo abstracto al Pop-Art, del cual fue uno de los principales representantes en su país.
Silkscreen Paintings (1962–64) Rauschenberg began silkscreening paintings in 1962, after visiting Andy Warhol’s studio and seeing Warhol’s recent paintings made with the process. Rauschenberg’s image sources included National Geographic, Life, Esquire, Boxing and Wrestling, and newspapers, as well as his own photographs.
1963. An artist of insatiable curiosity and restless creativity, Robert Rauschenberg came to attention at a fertile juncture in American art, as Abstract Expressionism wound down and Pop art appeared. His aesthetic strategy, embracing screenprint on canvas, assemblage, set design, and performance, is based on collage and juxtaposes objects and ...
Robert Rauschenberg. Untitled. 1963. Oil, silkscreen ink, metal, and plastic on canvas. 82 x 48 x 6 1/4 inches (208.3 x 121.9 x 15.9 cm) Solomon R. Guggenheim Museum, New York Purchased with funds contributed by Elaine and Werner Dannheisser and The Dannhessier Foundation, 1982. RRF.
Rauschenberg’s monumental print Autobiography (1968) is a summation work that brings together the life and work of the then forty-three-year-old artist. Printed on three sheets of paper in an edition of 2,000, under the sponsorship of Marion Javits, wife of the U.S. Senator Jacob Javits, Autobiography is the first fine art print made on a billboard press.
EXPRESS 1963− ROBERT RAUSCHENBERG En este cuadro varios aspectos llaman la atención: el primero su gran tamaño y su paleta, muy reducida a blancos y negros con solo un acento de color. También nos sorprende la discontinuidad de la imagen, que se despliega por el lienzo como si fueran fragmentos o fotogramas solapados de manera aparentemente
12 de may. de 2008 · Erased de Kooning Drawing. In the early 1950s, Rauschenberg explored the boundaries and the definition of art, following from the radical modernist precedent set by Marcel Duchamp's earlier Dada readymades. In this "drawing," he set out to discover if erasure, or the removal of a mark, constituted a work of art.
