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  1. 3 de may. de 2018 · In this episode of Masterworks: Expert Voices, renowned art historian David Anfam explores the radical genius of Jackson Pollock, whose pouring and dripping ...

  2. Art critic Clement Greenberg had written encouraging but less than whole-hearted endorsements in his Pollock reviews, but, he said after he saw the big mural in Guggenheim's townhouse, "I took one look at it and I thought, 'Now that's great art,' and I knew Jackson was the greatest painter this country had produced."

  3. Jackson Pollock's mythic reputation rests largely on the artistic breakthrough of his large paintings made from 1947 to 1951, as well as on his dramatic life and death. The fifth and youngest son in a struggling farming family, Pollock was born in Cody, Wyoming, and grew up with his four brothers in Arizona and California.

  4. Jackson Pollock, 1912–1956. 17 works in the Whitney’s collection. Sunrise Sunset. A 30-second online art project: Peter Burr, Sunshine Monument. ... Vida Americana: Mexican Muralists Remake American Art, 1925–1945. Feb 17, 2020–Jan 31, 2021 The Whitney’s Collection: Selections from 1900 to 1965. On view ...

  5. Susan Lake, Eugena Ordonez, and Michael Schilling, 2004. “A Technical Investigation of Paints used by Jackson Pollock in his Drip or Poured Paintings,” in Modern Art, New Museums, Contributions to the Bilbao Congress, 137–41, International Institute for Conservation of Historic and Artistic Works. Conservation Web Sites Related to Pollock

  6. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in an alcohol-related single-car accident when he was driving. In December 1956, four months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art in New York City.

  7. Abstract Expressionism in the. National Gallery of Art Collection. Number One, 1950 (Lavender Mist) embodies the artistic breakthrough Jackson Pollock reached between 1947 and 1950. His method was based on his earlier experiments with dripping and splattering paint on ceramic, glass, and canvas on an easel.

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