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Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind.
25 de ene. de 2019 · La performance "Five Day Locker Piece" réalisée par Chris Burden en 1971. La performance “Trans-Fixed” réalisée par Chris Burden en 1974. La performance “Shoot” réalisée par Chris Burden en 1971. 4- Gina Pane. La Française d’origine italienne Gina Pane est une artiste majeure de l’art corporel.
Marina Abramović is sinds de jaren 70 een prominente figuur in de performance- en body art en wordt beschouwd als een van de belangrijkste grondleggers van deze kunstvorm. Ze bracht de performancekunst van het experimentele begin naar de mainstream. Ze gebruikt haar eigen lichaam en test de grenzen van haar fysieke en mentale uithoudingsvermogen.
Gifts of the Spirit: Prophecy, Automatism and Discernment is Ron Athey’s vision for an automatic writing machine brought to life in collaboration with composer and opera director Sean Griffin. Athey has been writing Gifts of the Spirit since 1980 when he moved away from the Pentecostal and Spiritualist practices in which he was raised.These writings describe his experience of growing up as a ...
12 de ene. de 2021 · One of the first profound performances of Abramović’s career, Rhythm 5 explores the physical and mental limits of the human body. The artist risked her own life for her art in an extreme performance where she almost suffocated. For Rhythm 5, Abramović used a large petroleum-drenched star, which the artist lit on fire.
18 de abr. de 2023 · Performance art might be rehearsed ahead of time or completely improvised, but it is always contingent upon the artist’s engagement with a live audience. Artist-centered : This art form requires ...
6 de jul. de 2022 · Performance works have an inherent auratic quality and their ephemerality has interested artist’s since the 1960s. Although, Dadaists planted the seeds for performative-based works like the German artist Oskar Schlemmer (1888-1943), who taught at the Bauhaus from 1920 to 1929 and is perhaps best known for Das triadische Ballet (1916–22; “The Triadic Ballet”).
