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As mentioned earlier, Pasolini (1965/2001), from whom Deleuze takes his notion of “free-indirect-discourse”, also refers to the poetics of Un Chien Andalou, and that of naturalist writers more generally, as one heterogeneous system of relations which breaks with the fixity of the classical movement-image schema.
Masochism: Coldness and Cruelty (French: Présentation de Sacher-Masoch) is a 1967 book by the philosopher Gilles Deleuze, originally published in French as Le Froid et le Cruel (Les Éditions de Minuit, 1967), in which the author philosophically examines the work of the late 19th-century Austrian novelist Leopold von Sacher-Masoch.In the Foreword Deleuze states that Masoch has a particular ...
And though often underappreciated, Pasolini’s impact on debates in semiotics and critical theory has been enormous, as seen clearly in the influence of his thought on Roland Barthes, Michel Foucault, Giorgio Agamben, and, perhaps most of all, Gilles Deleuze, whose philosophy of cinema was developed in dialogue with Pasolini’s writings on the “cinema of poetry.”
The thesis analyses the concept of jurisprudence in the thought of Gilles Deleuze. Even if Deleuze has never dedicated lots of pages to this notion, the reflections he has done on it enable the emergence of a constellation of concepts (for example, the concept of law, institution, case, singularity) which rotate around the jurisprudence and which allow us to reconstruct the political role that ...
17 de dic. de 2015 · Pasolini’s final film is also the main subject of Paolo Russo’s contribution. A layered essay touching on the work of Foucault, Deleuze, Metz and many others, Russo’s article surveys a number of different approaches to Salò , including porn studies, cognitivist approaches to cinema, and, perhaps most intriguingly, the question of viewer engagement in horror films.
Key words: Deleuze, Guattari, Cinema, Thought, Philosophy, Image, Concept, Plane of immanen - ce. El cine como “imagen del pensamiento” según el constructivismo filosófico de G. Deleuze Cinema as “image of thought” according to the philosophical constructivism of G. Deleuze Rodolfo Wenger Calvo* Universidad del Atlántico, Colombia
Deleuze lector de Pasolini: acerca del "estilo indirecto libre" en el cine . × Close Log In. Log in with Facebook Log in with Google. or. Email. Password. Remember me on this computer. or reset password. Enter the email address you signed up with and we'll email you a ...
