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By Jennifer Garlen on Jun 18, 2015 From Virtual Virago. Robert Mitchum and Jean Simmons play a deadly game of dysfunctional romance in Otto Preminger's Angel Face (1952), which features a particularly tragic femme fatale caught in the undertow of her own insanity. Everyone around her is in danger of being dragged down, as well, but Mitchum's ...
Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness.
Angel Face (1953) -- (Movie Clip) My Little Plot Didn't Succeed We infer here that wealthy mysterious Diane (Jean Simmons), who may have tried to gas her rich stepmother, took it upon herself to invite Mary (Mona Freeman) to lunch, explaining how she diverted her ambulance driver boyfriend (Robert Mitchum) the night before, with mixed results, in Otto Preminger’s Angel Face, 1953.
Angel Face. After Robert Mitchum got fed up with repeated re-takes in which director Otto Preminger ordered him to slap Jean Simmons across the face, he turned around and slapped Preminger, asking whether it was this way he wanted it. Preminger immediately demanded of producer Howard Hughes that Mitchum be replaced. Hughes refused.
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Angel Face. Jean Simmons, scheming. Angel Face is a 1953 Film Noir directed by Otto Preminger, starring Robert Mitchum and Jean Simmons. Frank (Mitchum) is a former race car driver now driving an ambulance, who has ambitions of opening his own race car garage shop. He also has a pretty blonde girlfriend, a nurse named Mary (Mona Freeman).
We infer here that wealthy mysterious Diane (Jean Simmons), who may have tried to gas her rich stepmother, took it upon herself to invite Mary (Mona Freeman) to lunch, explaining how she diverted her ambulance driver boyfriend (Robert Mitchum) the night before, with mixed results, in Otto Preminger’s Angel Face, 1953.
