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  1. An Anthology, 1963. Henry Flynt originated the notion of concept art and practices the most austere version of it. Other conceptual artists dealt with theatrical events (Brecht, Vautier), with generic visual descriptions (LeWitt, Weiner), or with the philosophy of art (Kosuth, Art & Language ). Flynt's work, however, is concerned with a new ...

  2. Abstract. This chapter discusses traces the path taken by the maverick composer, philosopher and activist Henry Flynt in the early 1960s, from a position at the heart of New York's downtown avant‐garde community, to his radical repudiation of the avant‐garde under the influence of the Marxist‐Leninist Workers World Party (WWP).

  3. Wiki for Arts and Studies. For the catalogues of solo exhibitions, see the pages of the respective artists.. Pictures to be Read, Poetry to be Seen, Chicago: Museum of Contemporary Art, 1967, 33 pp. Exh. curated by Jan van der Marck; held at MCA Chicago, 24 Oct-3 Dec 1967.; Happening & Fluxus: Materialien, ed. Hans Sohm, Cologne: Kölnischer Kunstverein, 1970, [340] pp. Exh. curated by Hans ...

  4. Henry Flynt discography and songs: Music profile for Henry Flynt, born 1940. Genres: Avant-Folk, Minimalism, Free Folk. Albums include You Are My Everlovin / Celestial Power, New American Ethnic Music Volume 3: Hillbilly Tape Music, and I Don't Wanna.

  5. www.moma.org › artists › 35796Henry Flynt | MoMA

    14 de nov. de 2016 · Henry Flynt. Flyer for Music and Poetry of Henry Flynt, 112 Chambers Street, February 25–26, 1961. 1961. Henry Flynt. Representation of the Memory of an Energy Cube Organism: Incomplete Manuscript. 1961. Henry Flynt. Representation of the Memory of an Energy Cube Organism. 1961.

  6. ABSTRACT. Relegated to footnotes in the history of Fluxus and the post-Cage scene in New York, Henry Flynt developed from 1960 to 1966 a critical approach to the avant-garde from a revolutionary stance, looking for answers to questions which his peers apparently ignored. We work here with three texts which radicalized a critical discourse against the avant-garde, going from a formalistic ...

  7. Henry Flynt & Nova'Billy (Locust, 2007) collects material recorded between 1974 and 1975 by the punkabilly band Nova'Billy. Dharma / Warriors (Locust, 2008) documents a 1983 collaboration with C.C. Hennix on drums. Glissando No 1 (2012) contains the 28-minute Glissando No 1 (composed in 1979) and the 27-minute Stereo Piano (composed in 1978).