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Song. The portion of the song composed entirely by Berlin and published as sheet music contained the first verse and refrain of the original stage number. The refrain begins, "A pretty girl is like a melody / That haunts you night and day", a summary of the song's extended simile.The refrain is better known than the introductory verse, which critic Josh Rubins called "mercifully little-known".
#NowPlaying "RIP FOLLIES" by KARRAHBOOOListen to “RIP FOLLIES” here: https://karrahbooo.lnk.to/RIPFOLLIES Follow KARRAHBOOO:Instagram: https://www.instagram....
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
28 de dic. de 2008 · Barbara Cook gives a classic performance of "Losing My Mind" from Stephen Sondheim's "Follies."This video is an excerpt from the highly recommended 1985 DVD ...
The convergence of the two scores results in the Loveland sequence, where the characters use traditional songs to comment on their current concerns. The final piece (in the original script) is "Live Laugh, Love" where Ben attempts to present the suave, man-about-town character, but is unable to continue the charade and breaks down as the chorus continues, highlighting the dichotomy between forms.
Follies, Sondheim’s seventh Broadway production, began as The Girls Upstairs, a collaboration with bookwriter James Goldman about some young women in a Ziegfeld-like extravaganza and the stage-boy Johnnies who courted them.With Hal Prince as the show’s producer and director, it evolved into Follies, a more profound drama about past and present colliding in various none-too-happy ways.
Listen to Follies (Original Broadway Cast) by Stephen Sondheim on Apple Music. 1971. 17 Songs. Duration: 58 minutes.
