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  1. Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.

  2. Allan Kaprow was an American painter and a forerunner in defining performance art whose work had widespread influence on Fluxus and installation art. Kaprow coined the term ‘happening’. “Forget all the standard art forms—don’t paint pictures, don’t make poetry, don’t build architecture, don’t arrange dances, don’t write plays ...

  3. it.wikipedia.org › wiki › Allan_KaprowAllan Kaprow - Wikipedia

    Allan Kaprow. Allan Kaprow (Atlantic City, 23 agosto 1927 – Encinitas, 5 aprile 2006) è stato un artista statunitense.. Ha contribuito a sviluppare l'arte nella sua dimensione installativa ed è stato uno dei fondatori del "Happening" nei tardi anni '50 e '60.Alla metà degli anni Cinquanta ha partecipato alle lezioni di John Cage da cui ha ripreso l'idea di affidare al caso un ruolo ...

  4. www.frieze.com › article › allan-kaprowAllan Kaprow | Frieze

    Allan Kaprow was one of the first to express a feeling of orphanhood that would hasten a transformation of art practices in the late 1950s: writing in the first person plural, as though his voice stood for a full generation, Kaprow explained in his essay ‘The Legacy of Jackson Pollock’ (1958): ‘We were a piece of him: he was perhaps, the embodiment of our ambition for complete freedom.’

  5. Allan Kaprow (23 d'agost de 1927 - 5 d'abril de 2006) va ser un pintor dels Estats Units pioner a l'establiment dels conceptes d'art de performance. Allan Kaprow va ajudar a desenvolupar les instal·lacions artístiques i els happenings cap a finals dels anys cinquanta i seixanta.

  6. Allan Kaprow was born in Atlantic City in 1927 and is acknowledged to be the father of the happening, an ‘alive and kicking’ art form, which he defines as an “assemblage of events that take place in more than one spatial and temporal situation and an artistic work created by the performers and the audience.”. Borrowed from New Dada, the ...

  7. Allan Kaprow's Eat took place in the Bronx, in caves that used to be part of an old brewery. Visitors could make one-hour reservations through the Smolin Gallery to view the piece, which was a participatory, sensory, gustatory experience that involved repeated audio.

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