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  1. Kyle Balda is an American animator and film director, best known for co-directing 2012 animated film The Lorax with Chris Renaud and 2015's Minions with Pierre Coffin. He has also worked as animator on several films including Jumanji, Toy Story 2, and Despicable Me. He has worked for Pixar for years and now he is working for Illumination Entertainment.

  2. kylebalda.wordpress.com › about-kyle-baldaBIO – KYLE BALDA

    Kyle Balda has been working in feature character animation for over 20 year, most notably with Pixar Animation Studios and Illumination Entertainment. He began his career in early 90’s as a student at Calarts and soon after joined to crew of Industrial Light and Magic where he animated on such films as The Mask (1994), Mars Attacks! (1996 ...

  3. Kyle Balda has enjoyed a 30-year career in animation, rising from animator to director of beloved kids' films like Minions: The Rise of Gru and Despicable Me...

  4. 13 de jul. de 2022 · To divide and conquer the many tasks required for an animated project, Balda leaned on his co-directors, Brad Ableson and Jonathan del Val. “It’s a lot to juggle at once,” he explains. Balda ...

  5. it.wikipedia.org › wiki › Kyle_BaldaKyle Balda - Wikipedia

    Kyle Balda. Kyle Balda (Tucson, 9 marzo 1971) è un animatore e regista statunitense, conosciuto per aver diretto nel 2012 il film animato Lorax - Il guardiano della foresta con Chris Renaud e nel 2015 il film Minions con Pierre Coffin.Ha anche lavorato come animatore a film come Jumanji, Toy Story 2 e a Cattivissimo me.Ha lavorato per molti anni alla Pixar Animation Studios mentre ora lavora ...

  6. www.rottentomatoes.com › celebrity › kyle_baldaKyle Balda | Rotten Tomatoes

    Birthday: Mar 9, 1971. Birthplace: Tucson, Arizona, USA. Animator and animation director Kyle Balda served in a variety of capacities on some of the biggest box office hits of the late 20th and ...

  7. Le réalisateur de la saga Despicable Me, Pierre Coffin, et son acolyte, Kyle Balda (Le Lorax) déploient une quantité appréciable de gags absurdes qui font effet de boule de neige. Ils plantent enfin la narration aux temps modernes, du moins ceux du Londres post-Swinging sixties, quand la capitale anglaise n’était pas encore envahi par la folie verticale du tout gratte-ciel.