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JACQUES DEMY. Determined from a young age to become a film director, Jacques Demy (5 June 1931 – 27 October 1990) drew on his love for Hollywood musicals and fairytales to create a unique and inspired body of work unlike anything else in cinema history. His bittersweet, yet uplifting movies, frequently set in the kind of seaside towns were he ...
4 de nov. de 2019 · Jacques Demy filming The Umbrellas of Cherbourg (1964) Well, quite a lot. There is undoubtedly an element of fantasy in Demy’s films, in that the world he creates on screen – almost but not quite like ours, with its singing and dancing, its carefully coded colours and costumes, and its meticulously orchestrated coincidences, brief encounters and twists of fate – is very conspicuously a ...
30 de jul. de 2014 · Demy never avoided melodrama, but it’s all a bit too dull and redolent of soap opera. There’s a subplot involving a workers’ strike that opens and closes the film, a tacked-on, Dickens -lite ...
10 de jun. de 2019 · Demy se convirtió rápidamente en una de las joyas más brillantes de la tendencia. No obstante, sería una figura singular del movimiento francés. Sin darle la espalda al rigor formal o a la prominente erudición de la Nueva Ola, Jacques Demy optó menos por obliterar las reglas del cine norteamericano y más bien por adaptarlas a sus ideas.
27 de oct. de 1990 · Jacques Demy est un cinéaste français né le 5 juin 1931 à Pontchâteau, en Loire-Atlantique, et décédé le 27 octobre 1990 à l'âge de 59 ans du sida.
17 de dic. de 1972 · The Pied Piper: Directed by Jacques Demy. With Keith Buckley, Patsy Puttnam, Arthur Hewlett, Paul Hennen. In 1349, while the Black Plague threatens Germany, the town of Hamelin hires a wandering pied piper (Donovan) to lure rats away with his magic pipe, but then refuses to pay for his services, causing him to lure the town's children away.
French director Jacques Demy didn’t just make movies—he created an entire cinematic world. Demy launched his glorious feature filmmaking career in the sixties, a decade of astonishing invention in his national cinema. He stood out from the crowd of his fellow New Wavers, however, by filtering his self-conscious formalism through deeply emotional storytelling.
