Resultado de búsqueda
In the days after it first opened in early 1964, Stanley Kubrick's "Dr. Strangelove" took on the enchanted aura of a film that had gotten away with something. Johnson was in the White House, the Republicans were grooming Goldwater, both sides took the Cold War with grim solemnity, and the world was learning to be comfortable with the term "nuclear deterrent," which meant that if you blow me up ...
Il dottor Stranamore - Ovvero: come ho imparato a non preoccuparmi e ad amare la bomba (Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb), noto più semplicemente anche come Il dottor Stranamore, è un film del 1964 diretto da Stanley Kubrick.. La Commedia nera è basata liberamente sul romanzo Il dottor Stranamore.Il film tratta di un imminente attacco nucleare all'Unione ...
Dr. Seltsam oder: Wie ich lernte, die Bombe zu lieben (Originaltitel: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb) ist ein satirischer Film von Stanley Kubrick aus dem Jahr 1964 über den Kalten Krieg und die nukleare Abschreckung.Er basiert auf dem Roman Bei Rot: Alarm!Der Roman des Drucktastenkriegs (Originaltitel: Red Alert) von Peter George.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Directed by Stanley Kubrick. With Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn. An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.
Edit page. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Directed by Stanley Kubrick. With Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn. An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals ...
Español (España) Español (México) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) PG | Comedy, War. Watch options.
Dr. Strangelove or: How I Learned to Stop Worrying about my Cinephile Credibility and Accept not Every Kubrick Film Will Blow Me Away or Strongly Resonate with Me Review by Branson Reese 1 If “You’ll have to answer to the Coca-Cola company” isn’t in your “The Magic of Cinema!” montage get the absolute fuck away from me
