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15 de may. de 2019 · Read the full review of Kubrick's masterpiece of dark comedy and political satire, starring the brilliant Peter Sellers in multiple roles.
Ficha en FilmAffinity. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb [19] ye una película anglo americana [20] de 1964 del xéneru de comedia de humor negro, producida y empobinada por Stanley Kubrick. [21] Con un guión de Terry Southern y Kubrick, ta basada na novela de Peter George, Red Alert. Dr.
Dr. Strangelove or: How I Learned to Stop Worrying about my Cinephile Credibility and Accept not Every Kubrick Film Will Blow Me Away or Strongly Resonate with Me Review by Branson Reese 1 If “You’ll have to answer to the Coca-Cola company” isn’t in your “The Magic of Cinema!” montage get the absolute fuck away from me
¿Teléfono rojo? Volamos hacia Moscú es una película dirigida por Stanley Kubrick con Peter Sellers, George C. Scott, Sterling Hayden, James Earl Jones .... Año: 1964. Título original: Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb. Sinopsis: Convencido de que los comunistas están contaminando los Estados Unidos, un general ordena, en un acceso de locura, un ataque ...
Stanley Kubrick's black comedy classic about an "accidental" nuclear attack received four Oscar nominations*(including Best Picture, 1964). Convinced the Commies want to pollute America's "precious bodily fluids," a crazed general (Sterling Hayden) orders a nuclear air strike on the U.S.S.R. As his aide, Captain Mandrake (Peter Sellers), scrambles to unlock a recall code to prevent the bombing ...
Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb (Indonesia: Dokter Strangelove: Atau Bagaimana Aku Berhenti Khawatir Dan Menyukai Bom) atau umumnya disingkat menjadi Dr. Strangelove adalah film bergenre komedi hitam dibuat pada tahun 1964 yang disutradarai oleh Stanley Kubrick dan deretan pemain: Peter Sellers, George C. Scott, Sterling Hayden, Slim Pickens dan lainnya.
28 de oct. de 1994 · In the days after it first opened in early 1964, Stanley Kubrick's "Dr. Strangelove" took on the enchanted aura of a film that had gotten away with something. Johnson was in the White House, the Republicans were grooming Goldwater, both sides took the Cold War with grim solemnity, and the world was learning to be comfortable with the term "nuclear deterrent," which meant that if you blow me up ...
