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Renowned percussion groups NEXUS and So Percussion have joined forces to launch DRUMMINGat50.com, a website examining the immense influence, history, and innovative compositional and performing techniques of Steve Reich’s seminal 1971 work for percussion, Drumming.The new site launch marks the 50th anniversary ofthe piece in 2021, and echoes the year of preparation that preceded its world ...
Steve Reich: Drumming is the debut album of percussionist Colin Currie’s newly launched record label, Colin Currie Records. The Colin Currie Group, ... Pat Metheny advised on ‘electric counterpoint – version for percussions’, having given the debut performance in 1987.
19 de ene. de 2011 · The Cole Conservatory New Music Ensemble (Directed by Dr. Dave Gerhart) performs Steve Reich's Drumming, movement 4.Video editing by Rychard Cooper
In ‘Drumming’ gebruikt hij de techniek van de fase-verschuiving. Fase-verschuiving betekent dat twee muzikanten hetzelfde ritmische patroon spelen waarbij een speler geleidelijk gaat vertragen waardoor ze niet meer synchroon spelen. Steve Reich speelt in Drumming ook een spel met het vervangen van beats door rusten en andersom.
Drumming est un ballet composé sur la pièce de Steve Reich Drumming composée en 1971. Cette œuvre musicale est l'une des plus importantes du courant minimaliste avec l'aboutissement des processus de Phasing développés par Reich et leur application méthodique aux percussions. La musique de Reich a constitué un important support de ...
A two disk set containing both a DVD and a CD of the video opera ‘Three Tales’ by composer Steve Reich and video artist Beryl Korot was released in August 2003 by Nonesuch Records in the USA. and Holland. Release for the rest of Europe except France is September, the UK and Japan in October and France in November.
27 de sept. de 2019 · Drumming, de 1971, é, apesar de tida como uma obra de transição, uma obra central na história de Steve Reich (n. 1937).Peça para instrumentos de percussão e vozes, foi a última das obras de uma etapa inicial na qual o compositor norte-americano centrou a sua atenção no desenvolvimento do conceito de “phasing”, que criara e desenvolvera nos anos 60.
