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  1. Release Date. Apr 11, 2002. Advertise With Us. After recently moving from America to Glasgow, Scotland, Clare Pettengill starts a book group in order to find new friends with similar interests ...

  2. S1.E1 ∙ On the Road. Fri, Apr 12, 2002. Clare Pettengill arrives in Glasgow from Cincinnati and, in order to meet new, intellectually minded friends, establishes a book club whose members will discuss a new work each week. The group comprises local Janice, Dutch Fist and Swedish Dirka ,the wives or partners of top footballers, the taciturn ...

  3. Julie Barer — The Book Group. Julie Barer, partner. Born and raised in New York City, Julie Barer began her career as a bookseller at Shakespeare & Company, where she discovered the joy of putting books into people’s hands. Her first job in publishing was at Sanford J. Greenburger Associates, and she started her own agency, Barer Literary ...

  4. After recently moving from America to Glasgow, Scotland, Clare Pettengill starts a book group in order to find new friends with similar interests. But she is surprised by the people she encounters at the group. Among the people she meets are a drug-addled postgraduate student, ...

  5. 27 de oct. de 2020 · Group members are allowed to talk about anything they hear. This is interesting as the book moves forward and the narrator is in THREE different groups at once. Most group members have already heard details of her sex life because all of Dr. Rosen's patients seem to be intertwined between groups and are allowed to talk about anything and anyone.

  6. Jamie Carr's MSWL — The Book Group. An incomplete, ever-changing list of what Jamie Carr is looking for. Nonfiction: - Writers that can take on a big “known” topic and offer a new and unique lens into that topic - THE FUTURE OF climate, cities, nature, therapy, adoption/alternative family structures, housing, where spirituality meets ...

  7. Elisabeth Weed — The Book Group. Elisabeth Weed, partner. Elisabeth Weed began her publishing career at Curtis Brown in 1999. In 2007, Elisabeth opened her own agency, Weed Literary, where she began focusing primarily on upmarket fiction. She is especially attracted to plot-driven novels with a sense of place, and loves discovering new voices.