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  1. Find top songs and albums by His Name Is Alive, including Sitting Still Moving Still Staring Out, I Can See a Lot of Light in You and more. Listen to music by His Name Is Alive on Apple Music. ... Beach Boys-tinged pop on 1996's Stars on ESP just as deftly as they channeled gospel and R&B on 2001's Someday My Blues Will Cover the Earth.

  2. 7 de jul. de 1998 · Stars on ESP/Nice Day by His Name Is Alive released in 1998. Find album reviews, track lists, credits, ... Stars on ESP (1996) Great Lakes State Blues (1996) Ft. Lake (1998) In the East (2000) Golden City (2000) Finer Twilights (2000) Someday My Blues Will Cover the Earth (2001)

  3. Filename C:\Documents and Settings\Charles\Desktop\Misc from Desktop\New to seed\His Name Is Alive - Stars on ESP (1996) FLAC\09 - The Sand that Holds the Lakes in Place.wav Peak level 87.2 % Track quality 100.0 % Test CRC 93D00784 Copy CRC 93D00784 Accurately ripped (confidence 3) [45E51152]

  4. His Name Is Alive est un groupe de rock expérimental américain, originaire de Livonia, ... Une fois le groupe recomposé, il continue de s'associer avec Karin Oliver et Trey Many sur un nouvel album, intitulé Stars on ESP, qui est un véritable succès pour le groupe [1].

  5. 24 de jun. de 1996 · His Name Is Alive's fourth record follows the approach of the previous record: unique, melodic, surreal, and catchy art rock. But this time around the songs are filled with even more twists and turns, and the playful vibe is turned up even higher. As with the first three records, it also sounds like nothing else.

  6. His Name Is Alive's fourth record follows the approach of the previous record: unique, melodic, surreal, and catchy art rock. But this time around the songs are filled with even more twists and turns, and the playful vibe is turned up even higher. As with the first three records, it also sounds like nothing else.

  7. In the meantime, His Name Is Alive seems to have reached the terminal point with Someday My Blues Will Cover The Earth (4AD, 2001). Defever's career has always dealt with cliches in a subversive manner: his music succeeds when the stereotype is metabolized, he fails when the stereotype metabolizes him (in the form of a nostalgic playback of the genre's conventions).