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  1. Michelangelo Antonioni invented a new film grammar with this masterwork. An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L’avventura concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her disaffected lover (Gabriele Ferzetti) and best friend (Monica Vitti, in her breakout role).

  2. www.archivioantonioni.it › enArchivio Antonioni

    The Michelangelo Antonioni Archive contains materials relating to the intellectual, aesthetic and emotional world of the director and make it possible to explore his cinema and, more generally, all his broader professional activities, including his critical, literary and artistic work. The films. Gente del Po.

  3. Michelangelo Antonioni Guionista y director de cine italiano Nació el 29 de septiembre de 1912 en Ferrara (Italia). Cursó estudios de economía en la Universidad de Ferrara y de Cine en Bolonia. Su carrera se inició como crítico cinematográfico, guionista, ayudante de dirección y documentalista.

  4. 29 de sept. de 2017 · Michelangelo Antonioni: vita privata e filmografia del regista di opere come L'avventura, La notte, L'eclisse, Il deserto rosso, Blow-Up, Zabriskie Point.

  5. Biografie (2) Klasický představitel staré školy a legenda režisérského řemesla Michelangelo Antonioni se narodil ve Ferraře, městě na jihu Itálie. K filmu poprvé přičichl jako vysokoškolák na Univerzitě v Boloni, kde pro časopis Cinema pracoval jako divadelní a filmový kritik. Později začal navštěvovat hodiny na ...

  6. 27 de sept. de 2012 · This is the centenary year of Michelangelo Antonioni. He was born on 29 September 1912 and died in 2007 at the age of 94, having worked until almost the very end. As well as everything else, he ...

  7. 21 de may. de 2002 · Endnotes. Different sources give different dates, ranging from 1938 to the early 1940s. For a full account of this experience, see Antonioni, The Architecture of Vision, pp. 14-15. An excellent account of Antonioni’s uneasy relationship with the Cinema journal is found in Rohdie, Antonioni, pp. 8-14.; The Italian film noir, or giallo, is contextualised with respect to genre and Hollywood in ...

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