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  1. 27 de jul. de 2014 · Gordon Craig e le sue Scene per Teatro in Video 12° appuntamento. «More fire, less egotism»: inciso dietro cui si assiepa la complessità di pensiero di una rivoluzione. A figurarci oggi l’immagine di un rivoltoso probabilmente ci si parerà davanti la figura di qualche outsider col profilo orgoglioso e solcato, coi tratti bruni ed ...

  2. Edward Gordon Craig was born in Stevenage/Hertford in 1872 as son of the actress Ellen Terry and the architect, stage designer and theatre director Edward William Godwin. Between 1889 and 1897 he worked as an actor at Henry Irving's "Lyceum Theatre" in London and began to design his own figurines and stage designs.

  3. Edward Gordon Craig. Charleville-Mézières: Éditions l’Entretemps, 2012. (En francés e inglés) Rood, Arthur. Gordon Craig on Movement and Dance. New York: Dance Horizons, 1977. Veinstein, André y Cécile Giteau. Gordon Craig et le renouvellement du théâtre.

  4. 15 de feb. de 2014 · Born in 1872 as illegitimate son of an architect and of the revered actress Dame Ellen Terry, Edward Gordon Craig was raised as an actor in the company of Sir Henry Irving, only to discover later his true vocation as a theatrical designer.. Similar to Adolphe Appia in his struggle against the reproduction of reality, Craig envisaged scenic environments designed to appel to the emotion through ...

  5. EDWARD GORDON CRAIG, 1872-1966. Edward Gordon Craig was born in England on 16 January 1872, the son of the actress Ellen Terry and the architect E. W. (Edward William) Godwin. In 1878, at the age of six, he made his first stage appearance in a production of Olivia, by W. G. Wills. He studied at Southfield Park and Bradfield College, and was a ...

  6. Who was Gordon Craig?We asked 6 experts for their impressions of the man, 50 years after his death.Filmed in the foyer of the theatre in Stevenage that bears...

  7. Edward Gordon Craig was born in London in 1872, he was a director, set designer, lighting designer and theorist who influenced many of today's practitioners. He is often seen as the antidote to the Naturalistic theatre style that was happening during the turn of the century.