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  1. Sir Thomas Beecham (conductor) soprano vocals: Dora Labbette (soprano) recording of: Seven Songs from the Norwegian: No. 3. Evening Voices (Twilight Fancies) ... No one has reviewed Beecham Conducts Delius yet. Be the first to write a review. Tags Genres (none) Other tags (none) See all tags. External links. UK: B000025XA6; Editing. Log in to edit;

  2. 30 de oct. de 2020 · Frederick Delius: Eventyr (Once Upon a Time)Conductor: Sir Thomas BeechamLondon Philharmonic OrchestraStudio Recording, 1934

  3. Sir Thomas Beecham est un chef d'orchestre britannique né le 29 avril 1879 à St Helens, dans le comté de Merseyside au Royaume-Uni, et mort le 8 mars 1961 à Londres. ... à Londres, il organise un festival consacré à l'œuvre de Delius, en même temps qu'une fondation pour l'édition des partitions et des publications ...

  4. That said, you will need the CBS recordings called ‘Sir Thomas Beecham conducts Delius’ [5 CDs on SK5K87342] as well as the pre-war recordings and the live Somm broadcasts to round out your knowledge of his comprehensively authoritative way with this repertoire.

  5. Delius* - Sir Thomas Beecham, The Royal Philharmonic Orchestra – Beecham Conducts Delius. More images. Label:EMI – CDS 7 47509 2, EMI – CDS 7 47510 2: Format: 2 x CD, Album, Compilation, Club Edition. Country:US: ... Beecham Conducts Delius (2 ...

  6. www.discogs.com › release › 2415250-Sir-Thomas-Beecham-Delius-Sir-Thomas-BeechamDiscogs - Sir Thomas Beecham Conducts Delius

    Notes. Track 1 Recorded 9 & 22 April 1934. Track 2 Recorded 2 October 1936. Track 3 Recorded 4 October 1935. Track 4 Recorded 14 November 1934. Track 5 Recorded 28 September 1936. All recorded in Studio 1, Abbey Road, London. (Note: Delius is nowhere credited with his full name on this release, only with his family name.)

  7. Sir Thomas Beecham's tireless championing of his friend, Frederick Delius, is preserved in a series of recordings, made over a thirty year period (1927 to 1957). The endless fascination of this body of work lies in its marriage of old-world musical craftsmanship to a sheer poetic intuition which only the crustiest of curmudgeons could dismiss.