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William Cullen Bryant. (1794-1878) Thanatopsis (1817) To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their ...
Overview. “Thanatopsis” is a poem by 19th century American poet William Cullen Bryant originally published in 1817 in the North American Review. Written early in Bryant’s life and career, and heavily influenced by Romanticism as well as the Graveyard School of poetry, the poem explores the subject of death and what it means to be mortal ...
Thanatopsis. “ Thanatopsis ” is a poem by the American poet William Cullen Bryant. The title comes from the Greek thanatos (“death”) and opsis (“sight”); it has often been translated as “Meditation upon Death.”. Bryant wrote the bulk of the poem in 1811 at age 17, and it was first published in 1817 by the North American Review.
23 de sept. de 2021 · *I do not own the audio recording of this story or any of the publication rights.*
8 de may. de 2015 · The shortest possible “Thanatopsis” summary would merely be to say it is a poem concerning death. However, that not being sufficient, we’ll summarize for you each stanza. The first stanza, lines 1 to 17, is an exhortation. We’re told that nature heals those who are experiencing melancholy over the idea of death.
Inspired by William Cullen Bryant’s poem "Thanatopsis" (Greek for "view of death"), this landscape was first exhibited at the National Academy of Design in 1850. The inclusion of a funeral; a farmer engaged in daily work; and Egyptian, classical, and medieval ruins reflects the poem’s emphasis on the omnipresence of nature and the inevitability of death.
Thanatopsis was originally published in September 1817, and later republished in 1821. William Cullen Bryant was a teenager when he wrote this poem. The composition reflects how heavily he was influenced by ‘Graveyard Poetry’. He had a unique perspective on death, one that did not advocate Christian views and beliefs about heaven and hell.
