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14 de may. de 2024 · The Almond and the Seahorse. For Gwen, it's always 1999. The face in the mirror is unfamiliar and her partner isn't recognizable to her despite waking up together every day. Joe's past is coming undone and his partner, Sarah, fears she will be forgotten. A doctor refuses to give up on them, determined not to let them unravel.
9 de may. de 2024 · In that, The Almond and the Seahorse works a subtle magic on us without feeling the need for “more.” The film does what it wants to without fanfare or huge dramatics; it takes us past the disability to the human within. Every lead character is damaged in their own way, ...
10 de may. de 2024 · The solid low-key drama is thus undermined by the expectation of a late dramatic twist that doesn’t enrich the drama anyway. This ineffective bit of storytelling is a shame as it distracts from the film interestingly non-judgemental depiction of its characters. The affair feels added in to create drama when the interpersonal dramas are solid ...
8 de may. de 2024 · The Almond And The Seahorse (15) Cast: Alice Lowe, Rebel Wilson, Celyn Jones, Trine Dyrholm, Charlotte Gainsbourg, Meera Syal Genre: Drama Author(s): Kaite O'Reilly, Celyn Jones Director: Tom Stern, Celyn Jones Release Date: 10/05/2024 (selected cinemas) Running Time: 94mins Country: UK Year: 2023 Archaeologist Sarah struggles to cope after her loving husband Joe suffers a traumatic brain ...
10 de may. de 2024 · The title, The Almond and the Seahorse, refers to the shape of the parts of the human brain which allow people to create new memories.The film examines what happens to people who suffer Traumatic ...
9 de may. de 2024 · Reviewed by: Jennie Kermode. "The Almond And The Seahorse gradually coalesces like the pieces of an old memory coming back together." When one has a traumatic brain injury, life begins in the middle, so it seems fitting that Celyn Jones and Tom Stern’s film does the same. In the middle of an affair, to be precise, though it’s not clear that ...
6 de may. de 2024 · There is something unrelaxed in the way these two stories come together. Partly it’s about style: Wilson’s performance is accomplished and subtle, but she brings unmistakable Hollywood gloss and glam, filming a shower scene with mascara on, her hair curled. Then there’s Gainsbourg, a world away with her band T-shirts and no-makeup cool.
