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  1. 2 de may. de 2024 · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.”

  2. 28 de abr. de 2024 · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.”

  3. 15 de may. de 2024 · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.”

  4. 2 de may. de 2024 · Cai Guo-Qiang (born December 8, 1957, Quanzhou, Fujian province, China) is a Chinese pyrotechnical artist known for his dramatic installations and for using gunpowder as a medium.. Cai’s father—a painter, historian, and bookstore owner—was somewhat ambivalent toward Mao Zedong and the new Chinese society that was emerging after the successful communist revolution.

  5. Hace 5 días · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.”

  6. 4 de may. de 2024 · In the late 1960s, Sol LeWitt established a set of aesthetic principles through two key texts that would form the basis of his practice: “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969). For LeWitt, “the idea or concept is the most important aspect of the work.”

  7. 15 de may. de 2024 · Many powerful images are born of basics: Josef Albers’ square, Anish Kapoor’s concave circles, Sol Lewitt’s precise stripes of color, Frank Stella’s iconic protractor series, Ellsworth Kelly’s saturated panels, and Donald Judd’s boxes of color and space. Other artists in the exhibition, ...

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