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  1. At the time of writing this canto, Pound knew Guido’s poetry intimately, having translated his poems and published them as Sonnets and Ballate of Guido Cavalcanti in 1912. In his Introduction, Pound stated: “Than Guido Cavalcanti no psychologist of the emotions is more keen in his understanding, more precise in his expression; we have in him no rhetoric, but always a true description ...

  2. Canto III. By Ezra Pound. I sat on the Dogana’s steps. For the gondolas cost too much, that year, And there were not “those girls”, there was one face, And the Buccentoro twenty yards off, howling, “Stretti”, And the lit cross-beams, that year, in the Morosini, And peacocks in Koré’s house, or there may have been. Gods float in the ...

  3. A Companion to 'The Cantos of Ezra Pound, University of California Press, 1980. Terrell compiles an incredibly detailed and helpful annotation of almost every proper name, place, historical event ...

  4. C. F. Terrell's Companion on googlebooks. The Cantos at Amazon. The Cantos Project by Roxana Preda is licensed under a. Creative Commons Attribution-NonCommercial 4.0 International License. J! Info Request Session Profile Queries 53 Log 1. 31.486MB 145ms.

  5. 29 de ene. de 2002 · C'est une entreprise de longue haleine que de lire les Cantos de Pound, qui sont l'oeuvre de sa vie. Même si je n'attends pas le dernier vers du dernier Canto pour écrire cela, je m'autorise du choc profond que m'ont fait leurs lectures hasardeuses et non-suivies au long des années, grâce à T.S. Eliott son ami.

  6. 3 de feb. de 2023 · Pound’s journey through history begins with canto 1, which translates a passage in the Odyssey in which Odysseus travels to the underworld to speak with Tiresias. Like Odysseus, Pound seeks knowledge, and he seeks it in the minds of men long dead. He cannot speak to them directly, as Odysseus does, but their ghosts remain, nevertheless, if ...

  7. Canto XLV. By Ezra Pound. With Usura. With usura hath no man a house of good stone. each block cut smooth and well fitting. that design might cover their face, with usura. hath no man a painted paradise on his church wall. harpes et luz.

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