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  1. El teatro Bunraku. El teatro Bunraku pertenece a los 4 tipos de teatro tradicional japonés, al igual que el Noh, el Kyogen y el Kabuki, sin embargo, no solo es el más «nuevo» de los cuatro, sino que destaca por no ser interpretado por personas.. El Ningyo Johruri Bunraku se trata de un teatro de marionetas, con todas las características teatrales tradicionales que podemos encontrar en los ...

  2. 27 de abr. de 2020 · Bunraku (文楽), also known as Ningyō jōruri (人形浄瑠璃), is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century. P...

  3. en.wikipedia.org › wiki › BunrakuBunraku - Wikipedia

    Bunraku ( 文楽) (also known as Ningyō jōruri (人形浄瑠璃)) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. [1] Three kinds of performers take part in a bunraku performance: the Ningyōtsukai or Ningyōzukai ( puppeteers ), the tayū ...

  4. 19 de ene. de 2024 · Latest News. Jan. 19, 2024 Bunraku The National Bunraku Theatre Backstage Tour on February7 and 8,2024; Jan. 3, 2024 Exhibition 【Exhibition】Introduction to BunrakuⅡ; Dec. 19, 2023 Exhibition Osaka Premium Tour:Enjoy UNESCO Cultural Heritage "Bunraku" and Dining by Michelin Chef.; Mar. 16, 2023 Exhibition 【Exhibition】Special exhibition “Ukiyo-e of the Kamigata Area, from the ...

  5. Graphic design Font, design, art, graphic Design, japen png 1600x780px 1.12MB Skin care Serum Vitamin C, Japen, png 500x500px 173.6KB Bunraku Familiar spirit Theatre of Japan France, others, purple, gemstone, violet png 500x500px 132.92KB

  6. El bunraku es el teatro de marionetas profesional de Japón. Se desarrolló principalmente en los siglos XVII y XVIII, y es una de las cuatro formas de teatro clásico japonés, mientras que las otras son kabuki, noh y kyogen. La palabra bunraku viene de Bunraku-za, el nombre del único teatro de bunraku que ha sobrevivido hasta la era moderna.

  7. Buoyed by the tide of Nationalism and the economic growth of the 1970s, the theater recovered steadily. By the mid-1980s, the National Bunraku Theater had been built in Osaka, and Keene was able to write that the art form was “enjoying a prosperity that no one could have predicted even fifteen years ago.”20.