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3 de abr. de 2014 · In 1939, Pollock discovered Pablo Picasso's show at the Museum of Modern Art. Picasso's artistic experimentation encouraged Pollock to push the boundaries of his own work. Love and Work
Jackson Pollock was at the height of his career when he made One: Number 31, 1950.One of three wall-size paintings he produced in swift succession in the summer and fall of 1950, it is a field of densely interlaced threads of paint offset by pools and splashes of color. He began by laying canvas on the floor and pouring, dribbling, and flicking enamel paint onto its surface, sometimes straight ...
Pedir reproduçãoda pintura a óleo. Paul Jackson Pollock (Cody, Wyoming, 28 de janeiro de 1912 — Springs, 11 de agosto de 1956), conhecido profissionalmente como Jackson Pollock, foi um pintor norte-americano e referência no movimento do expressionismo abstrato. Ele se tornou conhecido por seu estilo único de pintura por gotejamento.
2 de nov. de 2021 · Localisation: The Museum of Modern Art. One: Number 31, 1950, l’une des plus grandes peintures de Pollock, illustre sa technique de “goutte à goutte”, dans laquelle il laissait tomber, dribbler ou jeter de la peinture sur une toile posée sur le sol. Ses cordes de couleur en boucle enregistrent en conséquence la force et la vitesse, mais sont également gracieuses et lyriques, animant ...
Jackson Pollock, 1912–1956. 17 works in the Whitney’s collection. Sunrise Sunset. A 30-second online art project: Peter Burr, Sunshine Monument. ... Vida Americana: Mexican Muralists Remake American Art, 1925–1945. Feb 17, 2020–Jan 31, 2021 The Whitney’s Collection: Selections from 1900 to 1965. On view ...
In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in an alcohol-related single-car accident when he was driving. In December 1956, four months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art in New York City.
Art in America 67 (December 1979), pp. 82, 86, refers to a 1969 interview with Lee Krasner attributing the remark "I choose to veil the imagery" to Pollock, quoting Krasner's further clarification: "Pollock made the remark about 'veiling' in reference to 'There Were Seven in Eight,' and it doesn't necessarily apply to other paintings–certainly not to such pictures as 'Autumn Rhythm,' 'One ...
