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Franz Kline (Wilkes-Barre (Pennsylvania), 23 mei 1910 - New York, 13 mei 1962) was een Amerikaans abstract expressionistisch kunstschilder.Hij studeerde van 1931 tot '35 aan de Boston-universiteit, en in 1937 een jaar aan de Heatherly's School in Londen.Vanaf 1952 doceerde hij met enkele andere kunstenaars van de New York School aan het Black Mountain College (North Carolina) en in 1954 aan de ...
Hace 5 días · Franz Kline was an American artist who was one of the leading painters of the post-World War II Abstract Expressionist movement. Kline studied at Boston University (1931–35) and at the Heatherley School of Art, London (1937–38), settling in New York City in the latter year. He was originally a
Franz Kline was an American Abstract Expressionist known for his distinctive monochromatic paintings. View Franz Kline’s 844 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.
Franz Kline Paintings, 1950–1962 Digital Catalogue Raisonné. This online publication presents 257 oil paintings created by Franz Kline between his first solo exhibition in 1950 and his death in 1962. Research for this project was conducted in cooperation with the Estate of Franz Kline and under the auspices of Hauser & Wirth Institute.
Franz Kline, właśc. Franz Rowe Kline (ur. 23 maja 1910 w Wilkes-Barre, zm. 13 maja 1962 w Nowym Jorku) – amerykański malarz, przedstawiciel ekspresjonizmu abstrakcyjnego. Życiorys. W latach 1931–1935 studiował malarstwo i rysunek na Uniwersytecie Bostońskim. Następnie ...
Black, White, and Gray. Franz Kline American. 1959. On view at The Met Fifth Avenue in Gallery 919. Composed of broad, sweeping, and luscious strokes, Black, White, and Gray suggests unrestrained artistic spontaneity. Yet Kline’s process was quite methodical. He typically began with a sketch, which he projected onto a wall, transforming ...
Franz Kline began his career as a figurative painter, but in the late 1940s, he used a projector to enlarge his drawing of a black rocking chair onto the wall. Intrigued by the way the image appeared abstract when it was enlarged, he decided to dedicate himself to creating large-scale, black-on-white abstract works. “I paint the white as well as the black,” he once said, “and the white ...
