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Mark Rothko (1903-1970) belongs to the generation of American artists who completely revolutionized the essence and design of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting.
Mark Rothko (Dvinsk (Keizerrijk Rusland, tegenwoordig Letland), 25 september 1903 – New York, 25 februari 1970) was een Amerikaanse schilder. Markus Rothkowitz, zoals hij oorspronkelijk heette, was een vertegenwoordiger van het abstract expressionisme, de zogenaamde colorfield-stroming.
Mark Rothko was an American Abstract artist of the mid-20th century. Although Rothko was a very well-educated and academic man who spoke four languages, his artistic skills were largely innate, as he had next to no training in painting or drawing. Nonetheless, he knew great fame and critical acclaim as a member of the first major American ...
21 de may. de 2024 · Mark Rothko (born September 25, 1903, Dvinsk, Russian Empire [now Daugavpils, Latvia]—died February 25, 1970, Manhattan, New York, U.S.) was an American painter whose works introduced contemplative introspection into the melodramatic post-World War II Abstract Expressionist school. His use of color as the sole means of expression led to the development of Color Field Painting.
1. He painted the world as he experienced it. Today, Rothko is famous for his abstract paintings. But as a young artist, he made works on canvas and paper with recognizable imagery: landscapes, city scenes, bathers, and portraits. Still, these paintings did not perfectly represent reality. By his late 20s, Rothko had developed a subjective ...
Mark Rothko (25. září 1903 v Daugavpilsu – 25. února 1970 v New Yorku) byl americký malíř lotyšského původu. Narodil se v dnešním Lotyšsku v židovské rodině jako Marcus Rothkowitz. Jeho malby jsou převážně abstraktní , Rothko byl průkopník tzv. malířství barevných ploch.
Mark Rothko largely abandoned conventional titles in 1947, sometimes resorting to numbers or colors in order to distinguish one work from another. The artist also now resisted explaining the meaning of his work. "Silence is so accurate," he said, fearing that words would only paralyze the viewer's mind and imagination.
