Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Clare Torry (2003) Clare Helen Torry (* 23.November 1947 in London) ist eine britische Sängerin, die durch ihre Vokalimprovisation in The Great Gig in the Sky aus dem Album The Dark Side of the Moon von Pink Floyd aus dem Jahre 1973 bekannt wurde. Dieses Album ist mit über 50 Millionen verkauften Tonträgern eines der meistverkauften Alben aller Zeiten weltweit.

  2. When Clare Torry went into the studio to record her now-legendary vocals for Pink Floyd’s “Great Gig in the Sky,” the centerpiece of 1973’s Dark Side of the Moon, neither the singer nor the band were particularly impressed with each other. Open Culture, openculture.com

  3. Clare Torry [2] Producer (s) Pink Floyd. " The Great Gig in the Sky " is the fifth track [nb 1] on The Dark Side of the Moon, a 1973 album by English rock band Pink Floyd. The song features music by keyboard player Richard Wright and improvised, wordless vocals by session singer Clare Torry. It is one of only three Pink Floyd songs to feature ...

  4. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  5. 17 de may. de 2017 · Clare inizia ad avere nuove collaborazioni; nel 1979, la sua voce torna nel brano Eve di Alan Parsons Project, in Yellowstone Park, ultima traccia del disco Le Parc dei Tangerine Dream (1985), dove la Torry propone un assolo molto simile a quello registrato con i PF e nell’86 collabora nuovamente con Roger Waters per la colonna sonora del cartone animato antinucleare When the wind blows di ...

  6. 27 de may. de 2018 · Clare Torry’s career didn’t change, but her participation in one of the most famous records in music history allowed her to build a name. She was hired to sing jingles on advertisements and gained some popularity, both in the studio (Alan Parsons Project, Tangerine Dream, Culture Club, Roger Waters) and for live events.

  7. Torry’s vocal is so dis­tinc­tive that she even­tu­al­ly won a set­tle­ment in 2004 for a co-song­writ­ing cred­it with Wright—an out­come some song­writ­ing experts agree was ful­ly jus­ti­fied since she essen­tial­ly cre­at­ed a new melody for the song. In the inter­view above, hear Tor­ry describe how she “had a lit­tle go” and, after some guid­ance from ...