Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. The movie is set in Los Angeles, and so, ofcourse, the chase centers on the freeway system."To Live and Die in L. A." is a law-enforcement movie, sort of. It's about Secret Service agents who are on the trail of acounterfeiter who has eluded the law for years, and who flaunts hissuccess. At one point, when undercover agents are negotiating a ...

  2. To live and die in la is a both a wonderfully shot and beautifully written movie which is not afraid to embrace its punky and uniquely 80's flair. The excellent cast do well to inhabit the world convincingly.

  3. The car chase is famous, of course, and rightfully so. But it’s more than an expertly shot action scene; it underscores and explicates character at the same time. Sure, going the wrong way on an L.A. freeway is a great setup for vehicular chaos. But the way Friedkin builds to that moment is very deliberate and totally brilliant.

  4. 3 de nov. de 2020 · To Live and Die in L.A. is an amoral masterpiece. Murtaugh and Riggs or Tango and Cash might act as cavalier as Chance and Vukovich but there’s always a line. It’s the other side of these characters’ compelling nature. Michael Mann shows it best in the likes of Thief, Heat and Miami Vice. Mann’s characters operate on the edges of a line ...

  5. 10 de oct. de 2008 · The full theatrical trailer for William Friedkin's 1985 cop thriller, "To Live and Die in L.A." The full theatrical trailer for William Friedkin's 1985 cop thriller, ...

  6. To Live and Die in L.A. (1985) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows.

  7. Director William Friedkin has called To Live and Die in L.A. (1985) one of the few films that came closest to his original vision. The plot deals with Secret Service agents on the trail of a deadly Los Angeles counterfeiter. But the real attraction for Friedkin was the underlying tension between the two sides and the shades of grey created by shifting sympathies and motivations, in particular ...