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Carter Burwell, meanwhile, contributes the first in his apparently endless series of brilliant scores (see also Fargo, Being John Malkovich, The Spanish Prisoner), evoking a palpable sense of dread with just a couple of piano keys." - Time Out New York "... Burwell has an intuitive feel for connecting noises in a way that is listenable.
Carter Burwell's Notes. I started writing music for Breaking Dawn Part 2 more than two years before it was released. The director, Bill Condon, suggested that, just as Edward had played "Bella's Lullaby" for Bella in the first Twilight film, he should now create a lullaby for his daughter Renesmee. This meant that I had to write it before they shot the film, which was happening at the same ...
Carter Burwell (ur.18 listopada 1955 w Nowym Jorku) – amerykański kompozytor muzyki filmowej.. Życiorys. Burwell urodził się w Nowym Jorku. Matka Natalie była nauczycielką matematyki, ojciec Charles założył Thaibok Fabrics, Ltd..Ukończył King’s School w Stamford w stanie Connecticut oraz Harvard University, gdzie był rysownikiem The Harvard Lampoon.
Directed by Catherine Hardwicke Written by Melissa Rosenberg (screenplay), Stephenie Meyer (novel) Produced by Wyck Godfrey, Karen Rosenfelt, Greg Mooradian, Mark Morgan. Composed, Orchestrated and Conducted by Carter Burwell Music Scoring Mixer: Mike Farrow Music Editor: Adam Smalley Contractor: Isobel Griffiths Recorded at Air Lyndhurst ...
Carter Burwell’s score also amplifies the power and the glory of the setting." - Todd McCarthy, Deadline, Sept. 5, 2022. "Carter Burwell’s score skillfully develops a feeling of small-town mystery, then dread, while cinematographer Ben Davis sticks to McDonagh’s mandate for finding sheer beauty throughout."
Provided to YouTube by Chop Shop/AtlanticLove Death Birth · Carter BurwellThe Twilight Saga: Breaking Dawn - Part 1℗ 2011 Summit Entertainment, LLCProducer: ...
Carter Burwell's elegiac theme music can still bring an involuntary tear to my eye. This Pavlovian response became a tad inconvenient a few years later, when the theme turned up in a Caffrey's beer commercial." - Jason Deans, The Guardian, Dec 30, 2011.
