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14 de may. de 2003 · Wendy Margaret Hiller • Wendy Margaret Watkin. Born. August 15, 1912 • England. Died. May 14, 2003 (aged 90) • Beaconsfield • England. Awards And Honors. Academy Award (1959) • Academy Award (1959): Actress in a Supporting Role. Married To. Ronald Gow (1937–1993 [his death])
ウェンディ・ヒラー（Wendy Hiller, DBE, 1912年 8月15日 - 2003年 5月14日）は、イギリス出身の女優。 略歴 [ 編集 ] 1930年に18歳でマンチェスター・レパートリーに舞台デビューし、その後、ロンドンやニューヨークの舞台でも活躍。
British stage and screen legend Wendy Hiller was renowned for her supremely controlled, unsentimental performance style and her ability to imbue strong-willed heroines with intelligence and vigor. Though she concentrated primarily on theater for much of her career, Hiller left behind a small but treasured legacy on film, as seen in classics like the brilliant 1938 adaptation of PYGMALION (in ...
Dame Wendy Margaret Hiller, DBE (15 Ağustos 1912 - 14 Mayıs 2003), yaklaşık altmış yıla yayılan oyunculuk kariyerine sahip olan İngiliz sinema ve tiyatro oyuncusuydu. Yazar Joel Hirschorn, 1984 tarihli Film Yıldızlarını Derecelendirme adlı derlemesinde, onu "filmde göründüğünde kelimenin tam anlamıyla ekranın kontrolünü ele geçiren bir aktris" olarak tanımladı.
Wendy Margaret Hiller (Bramhall, 15 augustus 1912 - Beaconsfield, 14 mei 2003) was een Engels toneel- en filmactrice.. Biografie. Hiller werd geboren als dochter van Frank Watkin Hiller en Marie Stone. In het begin van de jaren 30 begon ze haar theatercarrière in Manchester.In 1934 maakte ze haar doorbraak met de vertolking van Sally Hardcastle in Love on the Dole.
Dame Wendy Margaret Hiller DBE (15 August 1912 – 14 May 2003) was an English actress. She won the Academy Award for Best Supporting Actress for her performance in Separate Tables (1958).
Actor. There was simply no one like Wendy Hiller in British films: her sculpted, unconventionally beautiful face, distinctive voice and the intelligent intensity of her playing marked her as exceptional.. Essentially a stage actress, she made only fifteen cinema films in fifty years but how choice so many of them were: in Anthony Asquith's Pygmalion (1938), she was the definitive Eliza for a ...
