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Holdsworth can be heard soloing throughout 90% of both tracks except during a few brief bass and drum solos. All tracks have been professionally mastered using 24-bit digital technology. Selected Quotations . This is a valuable document of a particular period in Allan Holdsworth's career as well as John Stevens.
Rating. Releases. —. The Things You See / Sunbird. Allan Holdsworth. 1. Showing official release groups by this artist ( Show all release groups / Show official various artist release groups / Show all various artist release groups) Type: Person, Gender: Male, Born: 1946-08-06 in Bradford, Died: 2017-04-15 in Vista, Area: United Kingdom.
Hide Credits. 1. Jools Toon. Composed By – Allan Holdsworth, Danny Thompson, John Stevens (2) Composed By – Allan Holdsworth, Danny Thompson, John Stevens (2) 10:39. 2. It Could Have Been Mono. Composed By – Allan Holdsworth, Danny Thompson, John Stevens (2)
Even if you’re an Allan Holdsworth fan, it’s a 50/50 proposition. Technically, the performances and recording quality are top-notch and superb. The musicians (Danny Thompson on bass, Allan Holdsworth on acoustic 12-string guitar and electric guitar, and John Stevens on drums) are at the top of their game, and the album sounds like it was recorded today.
Allan was then participating in many different constellations in the genre, adding colour with his personal sound/approach. He was playing with Pierre Moerlen's band "Gong", as well as participated on Bill Brufords (ex. Yes, King Crimson) first two solo albums and violinist Jean-Luc Ponty's solo albums. In 1976 CTI records released a solo album with Alan, known as "Velvet Darkness", against ...
The first time that Allan Holdsworth worked with John Stevens was in 1977, where a lot of material were recorded by the band in England. As a result of a lot of extended jam sesions and recorded rehersals were released: "Touching On" (1977); "Conversation Piece" (1980) and "Retouch" (1983); And now "Propensity" (1978)...
Allan Holdsworth does confidently relaxed and flowingly inspired guitar and Synthaxe, as usual. As stated above, you will not find Holdsworth wildly rockin' out, doing bizarre explosions of guitar nor Synthaxe, (though he is more than capable), on this release. Production and sound is slick and polished throughout.
