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  1. 25 de may. de 2001 · A Welsh woman is belatedly forced to come out of her shell when poor fortune befalls her family and friends in this kitchen-sink comedy. Annie Mary (Rachel Griffiths) is a woman in her early thirties who seems never to have finished growing up; she still lives at home with her widowed father Jack (Jonathan Pryce), hasn't established much of a life of her own, and can't get her relationship ...

  2. VERY ANNIE MARY. Directed by. Sara Sugarman. United Kingdom, France, 2001. Musical. 104. Synopsis. Despite being over 30, Annie Mary is still living at home with her father. When her father has a stroke, Annie Mary must run the family bakery, even when she finds out that one of her dearest friends has a terminal illness.

  3. Very Annie Mary. 33 Metascore. 2001. 1 hr 40 mins. Comedy. NR. Watchlist. In this charmingly quirky comedy, Rachel Griffiths (Six Feet Under) gives a wonderful performance as a shy Welsh woman who ...

  4. 25 de may. de 2001 · Very Annie Mary. Peter Bradshaw. Thu 24 May 2001 20.58 EDT. S ara Sugarman has the unfortunate distinction of having directed Mad Cows, one of the most awful British films of recent years. This ...

  5. VERY ANNIE-MARY. by Sara Sugarman. synopsis. When Annie Mary was sixteen she won the Eisteddfod, the most prestigious cultural festival in Wales. She was offered a scholarship to study singing in Milan, but she wasn't able to accept it because her mother was dying and her father needed her help at home. Since then, she has never sung a note ...

  6. Annie Mary Pugh is in her early 30s, single and a martyr to her widowed father Jack who runs the bakery in a small Welsh town. Trying to save enough for a flat, her hopes are dashed when he suffers a stroke and she must run the business, but when her friend Bethan, dying of cancer, wants to go on a trip to Disneyland before she dies, Annie rises out of her despair and enters a singing competition.

  7. Very Annie-Mary is familiar but winningly funny and good-hearted. Full Review | Original Score: 3.5/5 | Mar 29, 2002. Impossible as it may sound, this film's heart is even more embracing than ...