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Imaginary Values. nine improvisations by Francesco Martinell Evan Parker's trio with Barry Guy and Paul Lytton has been a working group for ten years now, but began to function in its present form comparatively late, taking about the same time since the first documented contacts between the three musicians: they recorded together in the first edition of the London Jazz Composers' Orchestra in ...
Live at Maya Recordings Festival (september 2011) captures a live improvisation by Evan Parker (soprano and tenor saxes), Barry Guy (bass) and Paul Lytton (drums). The double-disc Rex, Wrecks & XXX (september 2011) was a collaboration between Matthew Shipp (piano) and Evan Parker (tenor sax), including the 42-minute improvisation XXX .
5 de abr. de 2024 · This has not changed to this day, nor has his enormous productivity. To mark his 80th birthday, we would like to discuss some of his latest releases today. Evan Parker/ Barry Guy - So It Goes (Maya Recordings, 2023) Sergio Armaroli and Evan Parker - Dialog (Ezz-Thetics, 2023) Evan Parker and Henry Dagg - THEN THROUGH NOW (False Walls, 2022)
Jazz album: “Live at Maya Recordings Festival” by Evan Parker/Barry Guy/ Paul Lytton, released in 2014 on NoBusiness Records. Explore the largest collection of jazz recordings @ All About Jazz
Live at Maya Recordings Festival [VINYL 2 LPs] (NoBusiness) Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland.
Evan Parker, Buffalo, New York. Evan Shaw Parker (born 5 April 1944) is a British tenor and soprano saxophone player who plays free improvisation.. Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation.He has pioneered or substantially expanded an array of extended techniques.
And Live at Maya Recordings Festival presents the trio at its best. Especially when the whole trio is in action the building up of sound layers is of a rare intensity, a “thickly textured woven soundscape, which is constantly adding and subtracting, re-designing itself and pushing the sound through new possibilities and decisions”, as Steve Day describes it in his book “Two Full Ears”.
