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Adrian Maben: The October light of Pompeii, the slow zooms at the beginning and end of Echoes, the creative editing of Jose Pinheiro (he later went on to direct his own films), the black and white footage of the oyster eating and the overdubbing sessions in Paris, the trivial dialogue about apple pie in the EMI canteen, the tension before and after the recording of each piece of music, the ...
Adrian Maben. Director: Les Khmers Rouges: Pouvoir et Terreur. Adrian Maben is known for Les Khmers Rouges: Pouvoir et Terreur (2001), Chit Chat with Oysters (2013) and Paul Delvaux: The Sleepwalker of Saint Idesbald (1987).
Adrian Maben is known as an Director, Actor, and Writer. Some of his work includes Pink Floyd: Live at Pompeii, Monsieur René Magritte, Helmut Newton: Frames from the Edge, Hieronymus Bosch, Les Khmers Rouges: Pouvoir et Terreur, Chit Chat with Oysters, Comrade Duch: The Bookkeeper of Death, and Mode d’Emploi, Les Nouveaux Réalistes.
Echoes: Pink Floyd es un documental dirigido por Adrian Maben. Año: 1972. Título original: Pink Floyd: Live at Pompeii (Pink Floyd à Pompéi). Sinopsis: Live at Pompeii es un documental musical de la banda británica Pink Floyd, dirigido por el director Adrian Maben y grabado durante el mes de octubre de 1972 en el anfiteatro en ruinas de Pompeya, ...Puedes ver Echoes: Pink Floyd mediante ...
Director Adrian Maben of course gained notoriety for directing the seminal Pink Floyd: Live at Pompeii in 1972. There are echoes of that here (pun intended), as Magritte's paintings are reflected in the artwork that Hypgnosis designed for Pink Floyd's releases of the 1970s. Also, a brief snippet of Obscured by Clouds is heard.
Magritte: Directed by Adrian Maben. With René Magritte. Documentary about the Belgian surrealist artist who died in 1967.
Episode of Series “Phaidon art collection”. About the life of Belgium artist Rene Magritte, one of the most famous of all surrealists. The documentary discusses his personal life and the motivations behind his art. Obsessed with the everyday, Magritte’s practise was to reinvent the ordinary by changing the ‘viewers’ perception.
