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Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were ...
Isabella Fiorella Elettra Giovanna Rossellini (Italian: [izaˈbɛlla rosselˈlini]; born 18 June 1952) is an Italian-American actress and model. The daughter of Swedish actress Ingrid Bergman and Italian film director Roberto Rossellini, she is noted for her successful tenure as a Lancôme model and an established career in American cinema.. She gained recognition as an actress after her ...
17 de may. de 2018 · Roberto Rossellini. Director Roberto Rossellini (1906-1977) was responsible for revitalizing Italian cinema after World War II with his neo-realist films, especially Roma, Citta Aperta ( Rome, Open City; 1945). After a long, somewhat uneven career in cinema, Rossellini spent his last creative years working in television, one of the first important film directors to do so.
15 de nov. de 2006 · Film series. Nov 15–Dec 22, 2006. Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies (Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.
19 de jul. de 2002 · Rossellini, Roberto. b. May 8, 1906, Rome, Italy. d. June 3, 1977, Rome, Italy. We all, film critics, filmmakers, film buffs, moviegoers, Western people and even people whose culture has been ‘influenced’, ‘transformed’ or ‘modernized’ by the West, we are all condemned to Rossellini. Needless to say, since all major directors ...
2 de ago. de 2020 · El 75 aniversario del gran filme ‘Roma, città aperta’, de Roberto Rossellini (1906-1977), sirve de eje conductor a este entusiasta y puntual acercamiento y comentario a la llamada “trilogía de la guerra” del director italiano, pero también a su obra en general bien ubicada entre las obras maestras del neorrealismo italiano que tantas y tan buenas cintas dio al séptimo arte universal.
Roberto Rossellini’s follow-up to his breakout Rome Open City was the ambitious, enormously moving Paisan, which consists of six episodes set during the liberation of Italy at the end of World War II, and taking place across the country, from Sicily to the northern Po valley. With its documentary-like visuals and intermingled cast of actors and nonprofessionals, Italians and their American ...
