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  1. To rename the picture Belcolore (from Monna Vanna) is to shift the moral focus to the periphery and to emphasize the aesthetic issues at stake in the picture. In either case we are, of course, dealing with a quasi-allegorical situation. This picture illustrates DGR's subtle and effective use of color. White and gold, colors associated with ...

  2. 6 de oct. de 2019 · The Nude Mona Lisa (1514-1516) by Leonardo Da Vinci or his workshop Château de Chantilly. Initially hung in pride of place by its owner, in the center of his painting gallery in Chantilly, this portrait of a nude woman, known as La Joconde Nue or Monna Vanna, continues to spark intrigue and inspire questions.

  3. 『モナ・ヴァンナ』(Monna Vanna、フランス語:La Joconde nue)は、1508年〜1510年頃にレオナルド・ダ・ヴィンチのアトリエで描かれたとされている女性の肖像画である 。フランス・シャンティイのコンデ美術館所蔵(1862年購入) 。. 概要. 絵画の寸法、および肖像の構図、表情、ポーズなどが ...

  4. Descrizione. Monna Vanna non è il vero nome della donna effigiata nel ritratto, che in realtà raffigura Alexa Wilding, la principale modella del Rossetti che la immortalerà nelle proprie opere del 1879.«Monna Vanna» si tratta in realtà di un personaggio della Vita Nova di Dante Alighieri, opera particolarmente amata dal Rossetti che ne effettuò la traduzione in inglese: il suo valore ...

  5. Monna Vanna is an 1866 oil on canvas painting (88.9 × 86.4 cm) by Dante Gabriel Rossetti.It was acquired by the collector William Henry Blackmore and later entered the collection of George Rae, one of Rossetti's patrons.It later passed from Rae to the joint ownership of Arthur Du Cros and Otto Beit and it was purchased from them by the Tate Gallery in 1916 via the NACF – it is now in the ...

  6. 6 de mar. de 2019 · In June, the Monna Vanna will form the centerpiece of an exhibition at the Condé Museum in Chantilly, northern France, commemorating the 500th anniversary of da Vinci’s death in 1519.

  7. 吉安·贾科莫·卡普罗蒂·达奥雷诺(義大利語: Gian Giacomo Caprotti da Oreno ;1480年—1524年1月19日),亦称萨莱(Salaì)或伊尔萨莱诺(il Salaino),是一位文艺复兴时期的意大利艺术家。 他在10岁时进入达·芬奇家,在1490年至1518年这段时间为达·芬奇的学生。 他在作品上署名Andrea Salai。