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  1. The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

  2. Hace 5 días · Salvador Dali was a sexual person, certainly, even though he also had great anxieties towards the opposite sex. He was a voyeur, of sorts, and perhaps that explains why a number of his portraits were nude. We find Dream Caused By The Flight Of A Bee Around A Pomegranate, for example, which features his wife Gala sleeping and vulnerable, as the ...

  3. Soft Self-Portrait of Salvador Dali (1970) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows.

  4. 10 de mar. de 2019 · Self-Portrait. Description Date: c. 1920 Technique: Oil on canvas Dimensions: 52 x 45 cm Signature: ... 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15/04/1983 - 29/05/1983, cat. no. 31; 2004, Venezia, Palazzo Grassi, Dal ...

  5. Salvador Dali 1941 Soft self-portrait with grilled Bacon. In his autobiography The Secret Life, he himself explains the meaning of one of his best-known self-portraits: " I'd let my hair grow, and wore it long like a girl's hair. Looking at myself in the mirror I would often strike the poses and melancholy appearance of Raphael, to whom the ...

  6. The two self-portraits that close the exhibition are well-known: Soft Self-Portrait, also called Soft Self-Portrait with Fried Bacon, and the stereoscopic Dalí from the Back Painting Gala from the Back Eternalised by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors. Dalí defines his Soft Self-Portrait as an antipsychological ...

  7. A spectre full of irony, where an amorphous, soft face appears, supported by crutches, which Dalí considered his self-portrait, with a pedestal that bears the inscription of the title of the work and, above, a slice of fried bacon, a symbol of organic matter and of the everyday nature of his breakfasts in New York’s Saint Regis Hotel.