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16 de sept. de 2022 · Can't Buy A Thrill, Countdown to Ecstasy, Pretzel Logic, Katy Lied, The Royal Scam, Aja and Gaucho will be released as double 45rpm UHQRs priced at $150 per copy (limited to 3 per customer). All of these will be pressed at Quality Record Pressing. Can't Buy A Thrill will be available November 4th. All titles are available now for pre-order ...
スティーリー・ダン 1972～74年の初期アルバム3作品『Can't Buy A Thrill』『Countdown To Ecstasy』『Pretzel Logic』が、いずれも 名匠バーニー・グランドマンによるオリジナルマスターテープからのダイレクトDSDマスタリング音源を採用したハイブリッドSACDで Analogue Productionsレーベルより登場。
31 de jul. de 2021 · Review Summary: An absolute blast to listen to; if you enjoy funk, jazz fusion, hard rock, or progressive rock, I can’t give The Royal Scam a higher recommendation. Part V: When "Refined" Meets "Funky". “Kid Charlemagne”, the opening track off The Royal Scam, accomplishes more in its 4:38 runtime than many progressive rock epics do in 20 ...
Pretzel Logic is the third studio album by American rock band Steely Dan, released by ABC Records on February 20, 1974. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of ...
20 de jun. de 2011 · Which are the best versions of the following. Aja 32XD-112 (Japan) Can't Buy a Thrill 20P2-2099 (Japan) Countdown to Ecstasy 18P2-2693 (Japan) Gaucho 32XD-394 (Japan) Katy Lied 18P2-2694 (Japan) Pretzel Logic 20P2-2109 (Japan) Royal Scam 20P2-2115 (Japan) Thanks in advanced for the help.
16 de sept. de 2022 · Mirror Image Forum Resident. Location: United States. I own the SHM-CDs of all the early Steely Dan albums ( Can't Buy A Trill through Gaucho) and I'm more than pleased with the fidelity of these issues. I like Analogue Productions' work, so it should be interesting to hear how they sound. Mirror Image, Sep 16, 2022. #7.
Steely Dan. ROCK · 1974. Preview. Released in 1974, Pretzel Logic marked the pivot point between the touring band Steely Dan had been and the studio-born project they became. The album is a rejection of the 1960s ideal of a rock band as a small group of like-minded people collectively expressing their creativity through their own original ...
