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  1. John Lee Hooker "It Serve You Right To Suffer" from 1965 on IMPULSE! EP #A-9103. 5:12. A.Manzoni reapermadness Kris_Holmes anssisal TopCats45s davidb69 holycowrecords. View credits, reviews, tracks and shop for the 1965 Vinyl release of "It Serve You Right To Suffer" on Discogs.

  2. 13 de ago. de 2020 · It Serves You Right To Suffer Chords by John Lee Hooker. 1,903 views, added to favorites 148 times. Easy to play but not like John Lee does. ... It Serves You Right To SufferJohn Lee Hooker. How to play "It Serves You Right To Su…" Font −1 +1. Chords. Simplify. Autoscroll. Transpose −1 +1. Print.

  3. It Serves You Right To Suffer. John Lee Hooker January 1, 2016 Releases « The Real Folk Blues | Live At Cafe Au Go-Go ...

  4. John Lee Hooker – It Serve You Right To Suffer. More images. Label:Impulse! – A-9103, Universal Music Special Markets – B0026951-01, Geffen Records – B0026951-01: Series: ... Here is a program of blues sung and played by John Lee Hooker. The swing, the tenderness, and the passion. You will be captivated by these earthy, ...

  5. It Serve You Right to Suffer, an Album by John Lee Hooker. Released in February 1966 on Impulse! (catalog no. A-9103; Vinyl LP). Genres: Electric Blues. Rated #27 in the best albums of 1966, and #2303 of all time album.. Featured peformers: John Lee Hooker (vocals, guitar), Barry Galbraith (guitar), Milt Hinton (bass), Panama Francis (drums), Bob Thiele (producer), Bob Arnold (engineer).

  6. It serves me right to be alone. Ele não me falha a sofrer. It serves me right to suffer. Serve me direito estar sozinho. It serves me right to be alone. Você vê que eu estou vivendo na memória. You see I'm living in the memory. De um dia que passou e foi. Of a day that has passed and gone.

  7. The uncharacteristically refined swing supporting John Lee Hooker’s leering growls on opening track “Shake It Baby” reflects the uniqueness of these sessions. Jazz and R&B musicians play with the bluesman, affording him enough space to let his uniquely elastic timing establish its own meandering pace, as on the creeping “Country Boy.”.