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  1. www.filmaffinity.com › es › nameSean Durkin - FilmAffinity

    Sean Durkin es un director y guionista nacido en el año 1981 en Canadá conocido por Martha Marcy May Marlene, The Nest, El clan de hierro, Southcliffe (Miniserie de TV), Inseparables (Serie de TV), Mary Last Seen (C), Buy It Now, The Last 15 (C), Doris (C) y Janis. España. Búsqueda avanzada .

  2. www.linkedin.com › in › seandurkin-nySean Durkin - Self Employed | LinkedIn

    View Sean Durkin’s profile on LinkedIn, a professional community of 1 billion members. He won the Dramatic Directing Award at the 2011 Sundance Film Festival for Martha Marcy May Marlene.

  3. www.theguardian.com › film › 2024The Guardian

    11 de feb. de 2024 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.

  4. www.sensacine.com › actores › actor-238133Sean Durkin : Filmografía - SensaCine.com

    Descubre todas las películas y series de la filmografía de Sean Durkin. De sus inicios hasta el final de sus 15 años de carrera.

  5. awardsradar.com › 2023/12/19 › interview-the-iron-claw-filmmaker-sean-durkinInterview: ‘The Iron Claw’ Filmmaker Sean Durkin Discusses ...

    19 de dic. de 2023 · Filmmaker Sean Durkin has already made two strong films in Martha Marcy May Marlene and The Nest, but The Iron Claw is, to date, his masterpiece. The control he has on display is incredible, making the brotherly love so palpable, as well as the affection for the career of choice.

  6. www.indiewire.com › awards › consider-thisSean Durkin on 'The Iron Claw' and His Failed Janis Joplin Biopic

    21 de dic. de 2023 · Sean Durkin’s “The Iron Claw” is less Christmas crowdpleaser than family downer, but this skillfully directed portrait of the tragic rise, fall, and resurrection of the Von Erich wrestling ...

  7. www.slantmagazine.com › film › the-iron-claw-review-zac-efron-sean-durkin'The Iron Claw' Review: Hard Knocks, In and Out of the Ring

    12 de dic. de 2023 · The Iron Claw marches inexorably in the direction of the pain and loss that the Von Erichs think they can overcome in the wrestling ring. Yet Durkin’s eye for the detail and texture lining the path toward doom provides a necessary counterweight to the inevitability of this Southern-fried tragedy. The film features any number of Chekov’s ...